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Its just a nice nuance with which to end. The Hollywood Reporter is a part of Penske Media Corporation. Sign up for our Email Newsletters here. We love symbolism and we believe you have to be true to the symbols you lay out. Back in 2020, Jantje Friese revealed in an interview that Tyll is planned as a six-part miniseries: "Tyll by Daniel Kehlmann is designed as a six-part mini-series. As you know with Dark, you dont have the straightforward narrative where you can go from one thing to the next. Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark,' are back with another meta mystery, this time set on a migrant steamer at the turn of 19th century. How did the actors react to working in this new virtual space? Jantje Friese Actually, the idea and the spark for it happened years ago. It always comes down to some kind of programming they had before them that you cannot choose because you cannot let go of the stuff that happened before you. I think thats awesome. You know if something is urgent or not important. bo Odar:Thats a message to Final Draft: Work on that script notes function. Netflix's Dark, the streaming service's first German-language original series, follows four families in a small town who become engaged, sometimes unwittingly, in a time-traveling battle between seemingly good and evil forces. See how the filmmakers used 'Volume' to create a story at sea. And then we try to find a world of symbols that all ties into our theme," she says. That, for us, is a metaphor. The Film Industry Lost Some Titans This Year What Happens Now? Proceed with caution. Friese and Odar said that they were able to keep the raincoat, the St. Christopher necklace, and the recreation of the Rubens painting The Fall of the Damned thats the centerpiece of Adams Sic Mundus hall. What we learned was that using the Volume studio, the mid-ground is everything. Mind still blown by that out-of-this-world ending to1899? Narratives or stories are always about human behavior and human connection. In Season 1, one of the biggest revelations once time travel is introduced is that teenager Jonas (Louis Hofmann) realizes that the young boy Mikkel (Daan Lennard Liebrenz) who disappears from Winden in 2019, has actually gone back in time to 1986 where he then met and eventually married Jonas mother. All Rights Reserved. Dark couldnt cast people who were too distinct though, in the interests of the mystery. ", "There is a lot in the DNA that is kind of close to Dark in terms of the puzzle and needing an engaged active audience," Friese says. Thats not what we wanted. In terms of diversity, thats actually really one big thing that when you have people crossbreeding through different timelines you really cant just throw in something because then otherwise you would kind of know whos is whose child, said Friese. Is it because it was a time of confrontation between technology and tradition? It just looked pretty. Dark: Here Are 8 Easter Eggs You Might Have Missed Amidst All Those Time Travel Shenanigans Friese compared it to the Season 1 episode that first travels to the 1950s and the Season 2 episode that revisits the day of Michaels death. Season 2 ended with Jonas being whisked away to another world, possibly another dimension by a version of his now-dead girlfriend Martha (Lisa Vicari). How did the script work did you write in German and then have things translated? Brexit happened. We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes,. We looked at all the characters and tried to find out whats really important, what we need to deliver.. And more of your Drive to Survive questions, answered. If youre in that core group, and youve figured it out, you should be proud of yourself, its an awesome experience. So its really that in going through the makeup process and trying to find out what you do with the hair and face. Its like it was with the dinosaurs inJurassic Park. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. It was a set constructed specifically for the series. You can only stand here. What kind of trigger words do you use? This series, like Dark, is a huge mystery, a mystery wrapped in an enigma. As we learn quickly in Season 3, the worlds are very similar but also slightly different, but time-travel is still in play and the other Martha and her world are still progressing toward the same world-shattering apocalypse that happened in Jonas' world. We can see that even if you dont really understand what words are being spoken, you understand what the other person is trying to communicate. Still, there are enough locations that do exist, exteriors that even when dismantled were the site of many memories for those who worked on Dark. Its understandable that even Odar didnt want to give up the show right away. For instance, the ship's dining room, which is a pivotal set piece on the show, was not an actual physical room that they built. There are different sections in there in the beginning, I just put Post-its in so I can still rip them out again. You will have something very personal toward the story. Then they were: No, no, we love it.. The two resulting timelines are more than just metaphorical reflections of each other. Thats where we basically put the groundwork, going for deterministic time travel rules. I put a lot of thought into it: What kind of information and when do you explain certain rules? 'Tyll' Series From Dark & 1899 Creators: Everything We Know We had old material that was actually a different story a couple of years back, she said. A mysterious journey unfolds for a group of London migrs as they sail toward New York. We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes, and how in the world they managed to keep everything straight. Describing the premise of the series feels almost impossible. It's just the camera trick. Most people dont understand, that, because theyve never used it. By the end of Season 2, we're dealing with a number of different time periods spanning more than 100 years but we're also introduced, in the last seconds of the finale, to the possibility of an entirely new and potentially identical dimension. All Rights Reserved. ", Odar mentioned that it was a children's book on quantum physics that finally made it all make sense to him sort of. We're way closer to America than we are actually to India. This is mine! What did you learn using the new tech? I stick to a very weird process, which is that everything needs to fit into a book of [a certain] size. A lot went down between the lifelong friends like, a lot. It was such an interesting time, that, unfortunately, was the build-up for a lot of terrible things that happened afterwards: With the First World War and then the Second World War, as people entered a new century, there was a lot of hope, but also a lot of fear, regarding new ideas and older ideas the old world versus the new world. And basically just concentrate on what we want to do and what we want to tell. Theres just an underrepresentation of the different European cultures, the different narratives from around the world. One may be desperate to see the world the duo has created for 1899, the teams new Netflix series, but could also be slightly worried their brain might not be able to handle it. They have something almost like emoticons at the end of every sentence, in order to understand how that sentence is meant. If they are right-handed, they had to act with their left-hand, though it would appear as though they are right-handed. Ten minutes later, you're like, 'No, shit. What stylistically are you going for with this show? The German creators of the cult mystery-thriller Dark forced their viewers to trust them. But in the end, it turned out to be way easier than we thought, because theres a sort of universal language, without words, going on while youre communicating with someone. Immediately, I had the idea that this might be a migrant on a ship. Jantje Friese and Baran bo Odar have earned patience. Just opening Final Draft took like five minutes because of all those script notes. Stay on top of the latest breaking film and TV news! Its not the kind of story that can be reworked and improvised on the fly with each passing group of episodes, as Friese can attest. Jonas and Martha sacrifice themselves and their own worlds in order to stop the loop and save the origin world. ', John Mulaney's New Netflix Special Is a Critical Reminder About Celebrity, 2023 Emmys Predictions: Outstanding Lead Actor in a Limited Series or a Movie. And then you try to find ways to incorporate it throughout the story.". You can change anything. I love her! said Friese. Thats what triggered the process. When we started with the show, obviously we werent sure whether we were going to get any audience because its just such an unusual narrative, said Friese. Is this a hopeful note in your mind? The series ends with a dinner party in the origin world. Friese: There was supposed to be a scene in season two that got cut out. Also the same as we did in Season 2 where we put a little bit focus on different characters like Claudia and Egon, were going to do the same in Season 3 and call some people up that had smaller parts. We asked creators Jantje Friese and Baran bo Odar as many of those questions as we could. That was the big question. The following interview discusses Season 3 of the Netflix . That was the initial plan. "In every season there is what I always call a bridge. But of course, movies likeThe ShiningorAlien, where you have a contained situation like a ship or hotel where people are stuck and they cant escape it, that creepy feeling of corridors and how much you can see or not see, that was definitely a major influence visually. Those were a key reference. But it also means props-wise, you have to change a lot of things like books and bookshelves. And the rest is just virtual in it, even with digital extras, which we used for the first time, which they didn't on Mandalorian. Friese: I dont know. Was this scene always part of the plan or was it something that developed in the writing? The actors had to act like they are in a mirrored world. 1899 also has a unique sound because, fitting with the theme of Europe you were talking about, you decided to have all your actors speak in their native languages. Dark Season 1 and 2 are currently streaming on Netflix. But you can only read it once you see how it ends. Sign Up: Stay on top of the latest breaking film and TV news! ", Her partner feels differently though. For example the room number 1011 is binary code. Sign up for our Email Newsletters here. Then its really a lot of bouncing back and forth between the two of us at the beginning, throwing in random ideas in the beginning and trying to figure out what ideas actually stick.

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